The combination of the two companies enables them to pioneer new tools, facilitate creative collaboration, and drive the future of filmmaking, says Netflix
VFX house produced 138 shots for Julian Fellowes’ cinematic conclusion to TV show
The Academy’s End Ghostwriting campaign aims to ensure every media composer is credited, better protected and paid fairly
Jones formerly co-owned Roundtable Post
Re-recording mixer joins after almost six years with Formosa
Pryor joins after roles with the likes of base, Grabyo, and The Football Association
The winners will be revealed at the Awards gala dinner at The Brewery, London on 27 November 2025
Effects included a TV being smashed through a window, landing on a car, a CG roof extension and a series of computer game-style police animatic shots
He has more than 25 years of experience in the media and entertainment industry
Sponsored: Monitors, camera and intercom system included in new range of products
The central London facility has green screen spaces, podcast suites, grading rooms, a virtual production suite, animation and sound stages
Joe Lewis at The Voiceover Gallery says that when we embrace AI – not as a replacement, but as a tool – the future doesn’t feel quite as bleak
Darren Deans, media and broadcast marketing specialist, explores the evolution of television resolution
UK and Middle East of particular interest to AI-powered media tools business
It enables editors, producers and content creators to search and download music from the West One library directly in Media Composer
Live sports, M&A, the pros and cons of AI, and Brazilian tax law among key topics
The full live recording of one of the keynote sessions at the AI Creative Summit at BFI Southbank on 6 November 2024
Click the magazine to read about IBC 2025; the rise of video podcasts; the risks & opportunities of AI; the state of sustainability in post & VFX; cine cameras used in live broadcasts; how an AI production studio works; training in post-production; how VFX needs to change gear; and more